Dan Norman Photography
Bryce Michael Wood (Kenneth) commands the stage in “Primary Trust” at the Guthrie Theater. Photo by Dan Norman
The Guthrie Theater’s latest production, “Primary Trust,” is a quiet, emotional story that celebrates neurodiversity and the courage it takes to connect with others.
Written by Eboni Booth, who won the 2024 Pulitzer Prize for drama for this play, it explores what it means to live differently, love deeply, and move through the world with sensitivity and honesty.
“Primary Trust” runs through Nov. 16 on the McGuire Proscenium Stage at the Guthrie Theater in Minneapolis.
Guthrie Artistic Director Joseph Haj describes the play as “a story of friendship, new beginnings, and human connection,” one that “reminds us that sometimes the most powerful steps we can take are small steps toward each other.”
Directed by Marshall Jones III in his Guthrie debut, the play is handled with care and thoughtfulness. Jones brings more than 35 years of experience to the production, having previously led the Tony Award-winning Crossroads Theatre Company and directed several world premieres by author Walter Mosley.
In his program notes, he writes about losing his brother and how friendship can be a form of healing — a theme that quietly shines through in this story.
The play takes place in 1995 in the fictional town of Cranberry, New York — a time before smartphones, when life moved at a slower, more personal pace. Kenneth, played by Bryce Michael Wood (also in his Guthrie debut), lives a simple, structured life centered on his bookstore job, his best friend Bert, and his daily mai tai at Wally’s Bar. When Kenneth’s job suddenly ends, his comfortable routine begins to shift, forcing him to navigate new emotions and unfamiliar territory.
William Sturdivant (Bert), Bryce Michael Wood (Kenneth) and Pearce Bunting (Sam) share a grounded moment of friendship and reflection in “Primary Trust” at the Guthrie Theater. Photo by Dan Norman
Wood delivers a stunning performance, remaining on stage for nearly the entire 95 minutes. His portrayal is natural, heartfelt and deeply respectful. He captures the quiet rhythm of neurodiversity — the comfort of routine, the fear of change, and the bravery it takes to keep showing up anyway. Watching him feels like seeing into someone’s private world, and his performance lingers long after the play ends.
William Sturdivant brings warmth and humor to Bert, Kenneth’s loyal friend, while Nubia Monks and Pearce Bunting add color through multiple supporting roles that bring the town of Cranberry to life. Each actor contributes to the play’s message about empathy and human connection.
The design team brings thoughtful beauty to the stage. Scenic designer Sara Ryung Clement, who teaches at the University of Minnesota, created a set that feels both comforting and reflective — the kind of space where Kenneth feels safe. She included subtle artistic touches, like constellations painted into the floor, suggesting that even small worlds are connected to something larger.
Lighting designer Jason Lynch adds a soft emotional glow that mirrors Kenneth’s moods, while sound designer Lindsay Jones ties everything together with warmth and subtlety. The mid-1990s details — from clothing to atmosphere — give the show a nostalgic touch that feels grounding and real.
Bryce Michael Wood (Kenneth) and Nubia Monks (Corrina) share an unexpected connection in “Primary Trust” at the Guthrie Theater. Photo by Dan Norman
Since premiering Off-Broadway in 2023, “Primary Trust” has become one of the most-produced plays in the country, ranking No. 2 on American Theatre’s list of the Top 10 Most-Produced Plays of the 2025-26 season. It’s easy to see why: Booth’s writing and Jones’ direction combine to create a story that is both specific and universal.
Though the production deals with heavy emotions, it does so with grace. The pacing is steady and gentle, inviting audiences to reflect rather than rush. Instead of avoiding difficult themes, “Primary Trust” faces them with empathy and care, creating a viewing experience that feels honest, human and quietly hopeful.
“Primary Trust” celebrates neurodiversity and empathy with rare tenderness. It’s not flashy or loud, but it’s full of heart — reminding us how important it is to be seen, accepted and understood.
It’s the kind of play that settles in your heart and lingers long after you leave the theater.
In keeping with the Guthrie’s commitment to accessibility, the theater offers ASL-interpreted, audio-described and open-captioned performances on select dates so that more audience members can experience the play’s message of connection and understanding.
Three takeaways
• Bryce Michael Wood gives a powerful and authentic performance in his Guthrie debut, capturing both the courage and vulnerability of living with neurodiversity.
• Eboni Booth’s Pulitzer Prize-winning script balances honesty and empathy, asking the audience to reflect on friendship, trauma and human connection.
• The set and lighting design create a nostalgic 1990s atmosphere that feels comforting yet reflective — perfectly suited to the play’s tone.
Editor’s note: This is the latest installment of Rachel’s Reviews, where Rachel Engstrom, a contributor to Eden Prairie Local News (EPLN), reviews various aspects of Eden Prairie and beyond. Do you have ideas for reviews? Reach out to Rachel Engstrom at rachel.engstrom@eplocalnews.org.